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The Musician's Tales: Stories from the Trenches #cheesegigthrowdown
I was exchanging some gig stories this morning and the trend continues.
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Rob testifying the "Spam Blues" on Ustream
Every Thursday, I play a solo jazz guitar show right out of my home studio. From my perspective, it's The Hippest Thing Ever!
On this particular Thursday, I was being pummeled by spammers and well--it gave me the blues.
This week's "Forgotten" Atmos Trio tune: Bill Frisell's "Is It Sweet?"
Again, I'm offering a tune we played out of the love of playing. There are no edits or overdubs here.
Is It Sweet? I think so...
<span><a href=" Is It Sweet by AtmosTrio ">Is It Sweet</a> by <a href=" Latest tracks by AtmosTrio ">AtmosTrio</a></span> <a href=" Is It Sweet by AtmosTrio ">Is It Sweet</a> by <a href=" Latest tracks by AtmosTrio ">AtmosTrio</a>
Another "Forgotten" Atmos Trio track: Stephanie's Soliloquey (2004)
that has been rediscovered after years of languishing on a hard drive.
this music was never intended for release, but after sitting all this
time, has been considered worthy, at least, to share. it may be that a
"Forgotten Album" will emerge.
Recorded in July 2004. Atmos Trio wasn't
even recording an album--just sight-reading some charts. This is
another beautiful Peter Sprague tune we
used to play during our Monday morning jam sessions.
This song is something of a rarity in that it does not feature solos
but instead, features the composition itself as the main character in
this particular music tale.
Features Rob Michael on
guitars, Joe Shotwell on bass and Jeff Obee on bass.
Stephanie's Soliloquey by AtmosTrio
Atmos Trio Monday morning sessions: Miles Davis' Solar
For a time, our method of operation was to converge on my studio each Monday morning, throw up some mics, hit RECORD and just play. Here is a result of one of those session from July 2004.
Never intended for release, this recording of Solar really was a happy accident which was captured to disk. We played it and moved-on. Only during a later review of the session did we realize the level of musical interactivity that had apparently occurred earlier that day.
Here is your invitation to eavesdrop on our conversation.